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7:00 The notes on the major scale are wrong, no? Should be an ‘a’ after the ‘g’.

I'm confused. On playing Modes of A chart, at 10:30. I first thought one would just count down from A to find the Major scale to play. Dorian is 2nd notes down from A, so play G major scale. But, the G# is not included in the count down. For Lydian, the G# is included in the 4th note count down from A. How does that formula work. And what is "bes"?

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Amazing lesson

All the videos I watched only explain how to play the modes, but not the theory behind them. Thanks for explaining this clearly.

Many thanks for the video, I have learned a lot even not been an english native spekaer. Suscribed!

This man is a savant!

/ Bb / D7 / EbM7 / Ebm / I had cool progression from one of country hits song. Its confusing cause the tonic is Bb major but it seems the chords are from a Gm Dorian. 😊

Excellent! You make things very clear. Thank you for creating and sharing.

This is what I needed... my man... I have fallen in love with 5/4 and 6/4, i just never understood it

Ultra ! I subscribe

Good for channeling David Gilmour.

Great Presentation User Friendly to Apply Thank You 🍷

I'm so happy I found your channel on YT, many many thanks.

can't thank you enough for your lessons, sir

The best video I've seen on this topic.

Very nice and enlightning. Subscribed!!!

@14.42 it should be major 6? Not major 2nd.

The Stev Vai mode

So many dots connected!! I have been looking for a video just like this. Thank you so much!!

Great advice for any player of any level. I love the way that Victor Wooten talks about notes in his book, The Music Lesson. He says each note is like it’s own little world, a la Horton Hears a Who. Focusing on letting each note live and breathe in the way that best serves the music is a cool way to think about playing. Thanks for the reminder, friend.

The best guitar teacher online! thank you Rob!

One of the best lessons ever I've ever seen on YT, crystal clarity and huge value, biggest thanks, Sir.

I liked the sneaky Vai reference on your Lydian mode example. Very subtle sir!

YOU HAVE CREATED A MASTERPIECE GUITAR LESSON! THANKS!!!

This approach of adding a note to pentatonic scales and making it hexatonic and then the full mode may work for people who have played only pentatonic scales and then want to incorporate modal playing. However, it is best to learn modes based on Major scale patterns (like you show in the third approach) and absorb sound intervals and thereby grasp the key characteristics of each mode. Also, on a different note, saying Dm pentatonic over D Doran scale is potentially confusing. Perhaps one could say playing Dm pentatonic over D Dorian chord progression.

Exactly what I needed. Thanks

That was hands down nothing short of amazing! The triad pairing concept is so insane! Simple and effective! For the first time I managed to understand everything that was explained! Thank you so much, please don't gove any regards to haters, your content is absolutely exceptional :)

Wow! I wonder if this is the technique that Erik Satie used for Gnossienne 2. He seems to be changing a modes every two bars and I have no idea how it does it, but now I think it might be modal chaining

Now this is a damn mixolydian mode lesson!🔥🔥🔥🤘🤘🤘

Is it a locrian scale ?

Another one trying to confuse beginners to look knowledgable. All modern discussion of modes is a sham. In the system of keys they are just variations on the scale pattern, not a separate entity to complicate mental assessment of the desired effect. Made up out of thin air ideas to confuse people. Just like the high priests of the Pythagorean church keeping it a secret that the intervals weren't actually perfect ratios when they discovered it later on. All you beginners, ignore all talk of modes and stick solely to the system of keys.

Самая крутая школы по теории импровизации на гитаре! Спасибо огромное! Это АКАДЕМИЯ для гитариста.

Great examples!

MASSIVE ! A joy for the ears and .....my little brain ! thanks you a really nice job we have here !

In the b -major scale the E and F# is at the wrong place 7.25

There are more harmonic scales. Harmonic Lydian 1 2 3 #4 5 b6 7 Double Harmonic Lydian 1 b2 3 #4 5 b6 7 Harmonic Phrygian is Neapolitan Minor 1 b2 b3 4 5 b6 7 Double harmonic Phrygian 1 b2 b3 #4 5 b6 7 Harmonic Locrian is Locrian natural 7 1 b2 b3 4 b5 b6 7 Major exotic scales are b2, b6 and b2 b6. Mix, ion , lyd Mix b2, mixb6, mix b2 b6 Ionb2, ion b6, ion b2 b6 Lydb2, lyd b6, lyd b2 b6 Minor exotic scales are #4, #7 and #4 #7. Dor, aeol, phry, Dor#4, dor#7, dor#4#7 Aeol#4, aeol#7, aeol#4#7 Phry#4, phry#7, phry#4#7 Loc #7, loc#3, loc#3#7 Alt nat7, altnat5, altnat5nat7 I'm not sure why noone teaches this.

shell voicing chord really change how i played guitar on jazz pop song, after i know this pattern i finally can play my jazz favorite song with only simple chord

i hear all modes the same

Your teaching style and content quality really deserve more praise

Hello.In the video pair triads part, D Dorian example, there is triad D/A, mayor triad shape. I don't understand this shape if are two minor triads. Can you explain me please??. Thanks from Spain

Muy buenas sus lecciones, the best teacher !

ok I got most of this up until the ii V7b9 iMaj7 - but there were many fast examples

always excited about modes!

Who do you buy your guitars from and do you like any particular pickups sir?

Man, I just discovered you! really thx for sharing such valuable information in such a clear, concise way!

I watched some of your other videos and now the RUclips algorithm is feeding me so much information regarding modes, but your videos have provided me information that is practical and something that I can immediately incorporate into my playing. Thank you for all that you do. Cheers from California.

This is by far THE LESSON I was waiting for .... Now YT can erase ALL guitar lessons and keep this video as a LESSON written on stone ... for us ... the guitarkind ..... BTW, this video is FOOD for my brain ... and what a great menu !!!!